The best of the best in video news are being recognized this week, as the NPPA announces its annual awards.
All of the winners are worth watching, of course, but I usually start with the general news category. It’s the catchall for daily stories that are not breaking news or features. And this year’s winner is…a winner.
Shot by Michael DelGiudice of WNBC in New York, “Absolutely Devastating” looks at the effect of plans to eliminate a Brooklyn bus route. It’s the kind of story that often doesn’t make air because it sounds like it would be boring.
This one is anything but, featuring strong characters, surprises and great shooting:
Other winners include:
Deadline photography–William Middeke, KARE, Minneapolis.
Spot news–Darren Durlach, WBFF, Baltimore.
News feature–Corky Scholl, KUSA, Denver.
Congratulations, all.
3 Comments
Wonderful stories all, shot and written with caring and passion.
They show that television news can still have a heart.
However, I do have a question to pose, without mentioning specific instances.
Why must we feel obligated to break sentences in unnatural places just to insert one more bit of often muddled natural sound? To show we can do it? To let us know the editor was there? To impress judges?
I contend that most of the time, such nat-sot pops add nothing while breaking the flow, calling attention to the process, and detracting from the stories.
Natural sound is good. It’s vibrant. It adds life, pacing, and dimension. But why can’t we limit our use of natural sound to natural places?
These pieces are already rich in skill and craftsmanship. The people who worked them are really good. I envy and admire the work.
However, I submit that less can be more.
You make a good point, Wayne. Nat sound definitely can be overdone, especially when it’s popped in just for “pacing” and doesn’t move the story forward.
I subscribe to what I’ve come to call the Tim Griffis rule: Don’t use nat simply to break up the narration. Use it to glue the story together, like mortar between bricks.